2006 Lukas Prize Winners

Nate Blakeslee

Entry title: Tulia: Race, Cocaine, and Corruption in a Small Texas Town (PublicAffairs)

Awarded: 2006, The J. Anthony Lukas Book Prize

“Tulia is a classic expose of justice denied in small town America, written with meticulous documentation and dramatic flair,” judges noted. “A chilling account of racially-biased drug enforcement in the Texas panhandle, Tulia opens in July 1999 with a police sweep that apprehended 47 alleged cocaine dealers, nearly all of them black. Blakeslee reveals how the suspects were arrested and convicted solely on the word of an undercover cop so unfit for law enforcement that he was wanted for a crime in another Texas town. The assembly-line legal system—controlled by an obstinate sheriff and a cynical judge—churned out prison sentences as severe as 361 years. Almost miraculously set right by a determined coalition of local citizens and pro-bono attorneys, these prosecutions ultimately led to state legislative reforms.”

Honorable Mention

Judges also noted two finalists: Kurt Eichenwald for Conspiracy of Fools: A True Story (Broadway Books), and co-authors Kai Bird and Martin Sherwin for American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer (Alfred A. Knopf). Judges noted that “Conspiracy of Fools recreates the culture of complicity that inflated and finally exploded Enron…a forensic investigation of corporate behavior uninhibited by the constraints of legal, regulatory, and moral accountability.” About American Prometheus, judges said, “Offers not only a vivid psychological portrait of its subject, but also a richly-textured history of the atom bomb’s creation and the post-war era of anti-communist hysteria.”

Jurors

Judges for the J. Anthony Lukas Book prize were: Joe Conason, John Darnton, and Elizabeth Kolbert.

Megan Marshall

Entry title: The Peabody Sisters: Three Women who Ignited American Romanticism (Houghton Mifflin)

Awarded: 2006, The Mark Lynton History Prize

“Through their elegantly entwined biographies,” the judges noted, “Megan Marshall takes us into the life of family, intellectual innovation, gender relations, and even health in New England in the first half of the nineteenth century…Megan Marshall’s interweaving of domestic life and the wider world of American culture, reform and experimental thought is accomplished with the observant eye of the best social history and the nuance of a Jane Austen novel.”

Honorable Mention

Judges also noted one finalist: Tony Judt for Postwar: A History of Europe since 1945. In Postwar, Judt has drawn on 40 years of reading and writing about modern Europe to create a fully rounded, deep account of the continent’s recent past.

Jurors

Judges for the Mark Lynton History Prize were: Robert Harms, Louis Masur and Natalie Zemon Davis.

Laura Claridge

Entry title: Emily Post and the Rise of Practical Feminism (to be published by Random House)

Awarded: 2006,, J. Anthony Lukas Work-in-Progress Award

“Laura Claridge thinks and writes about Emily Post in a way Tony Lukas would have cheered, producing the kind of rigorous and imaginative cultural history that he both pioneered and championed.” Claridge’s book is “a fresh look at the deeply influential advice-giver who showed that manners were about ethics, not just etiquette, and who in the process helped advance the democratic promise that made America special among nations: that anyone could rise into the middle class and beyond.”

Honorable Mention

Judges also noted two finalists: Bruce Barcott for The Last Flight of the Scarlet Macaw (to be published by Random House) and Dudley Clendinen for Canterbury Tales (to be published by Viking, Penguin Group). Judges noted that in The Last Flight of the Scarlet Macaw, “Bruce Barcott employs a novel’s worth of colorful characters in his brightly written, tightly focused tale of the battle between those who would build a dam and those who would save a bird.” And about Canterbury Tales, the judges wrote, “Living for years with his subjects—the residents of the geriatric facility that has become his mother’s final home—Dudley Clendinen has produced a sharp and wise portrait of what he rightly calls the ‘new old age’ in America.”

Jurors

Susan Braudy, Kevin Coyne and Richard Pollak