M.S. Documentary Specialization

The Documentary program combines world‐class training in how to be a reporter with professional skills in the craft of long-form visual storytelling. Students spend over nine months learning how to:

camera icon
Learn camera work, sound recording and editing
file-video icon
Grant writing, negotiations, rights and clearances and how to develop a winning production trailer
address-book icon
Develop sources, find and verify information

The additional semester, completed during the summer, allows students to produce and edit their video Master’s Project. Documentary journalism students generally work in teams and get individual coaching from advisers who are recognized documentary producers. We expect the resulting films to be published: online, on cable or on broadcast.

Raney-Aronson Rath

Documentary Leadership: Raney Aronson-Rath

Raney Aronson-Rath, ’95 M.S., is an award-winning executive producer of FRONTLINE (PBS) and the new Editor-at-Large for Columbia Journalism School’s M.S. Documentary Specialization. In this role, she will advise documentary students on story development, offer strategic guidance on their projects, and provide insight from decades of experience in investigative filmmaking.

Learn more about her role and additions to the program.

calendar icon
Join an Info Session

Join us to explore your options in the M.S. Data Journalism program.

pencil icon
Apply Today

Take the first step toward becoming a leader in journalism.

briefcase icon
Support from Columbia

Discover tuition benefits that help you on your path to a journalism degree.

Curriculum

During the fall semester, students take the core Reporting class and Video for Doc students to learn shooting and editing. Concurrently, during the first semester, students learn about the documentary canon and workshop story ideas for their own films. Projects are approved for production by the time the spring semester begins.

During the spring semester, students get hands‐on production experience and learn to craft compelling stories. By the end of the semester, they pitch a work‐in‐progress trailer to a group of commissioning editors from major outlets. In the past, these editors have included representatives from the Sundance Documentary Fund, HBO and CNN.

Students complete their Master's Project documentary during the summer semester. Their films are showcased at the annual Columbia Journalism School DocFest.

In addition to the required classes, Documentary students choose from the many spring classes that are open to all students.

Semester Breakdown

M.S. Documentary Specialization Semester Breakdown

Semester Breakdown

Student Work

Man opening a garage door.
Long Island Shark Watch

Leilani Combs, ’25 M.S. Documentaryproduced a video on New York’s response to 13 unprovoked shark encounters in 2022 and 2023. Her report includes interviews with Long Island shark experts who warn the state’s measures may be ineffective and misleading.

Man wearing a hat holding an owl.
Time and Time

Naeem Amarsy, '25 M.S. Documentary, and Natalie Ruiz-Pérez, ’25 M.S. Documentaryco-created the film Tide and Time, which follows Don Riepe, a longtime protector of New York City’s Jamaica Bay, highlighting the impact of climate change and sea level rise on his community and the bay’s shrinking salt marshes.

From the classroom to the field

AlHadidi is helping audiences make sense of a rapidly changing world at PBS.

This spring, alumni earned honors for reporting, storytelling and innovation that advance the goals of the J-School’s CJS2030 Initiatives.

This year's projects cross both campuses and blend journalistic insight with technical innovation.